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Award-winning Tunisian novelist applauds Oman’s literary renaissance

Tunisian novelist Amira Ghanem has won the Arabic Literature Prize 2024, awarded by the Jean-Luc Lagardère Foundation and the Arab World Institute for her novel Nazlat Dar Al-Akaber.

TAS News Service

info@thearabianstories.com

Monday, January 6, 2025

MUSCAT : Acclaimed Tunisian novelist and linguist Dr. Amira Ghanem has solidified her position as a leading voice in Arabic literature after winning the prestigious Arabic Literature Prize, awarded by the Jean-Luc Lagardère Foundation and the Arab World Institute for her novel Nazlat Dar Al-Akaber. The recognition coincides with her shortlisting for the Medicis Foreign Prize, underscoring her contribution to modern Arabic storytelling.

Speaking to the Oman News Agency, Dr. Ghanem lauded the rising prominence of Omani literature, citing Jokha Al-Harthi’s Ladies of the Moon as her introduction to Omani novels. “The novel scene in the Sultanate of Oman has witnessed remarkable brilliance during the last decade despite its relatively short lifespan,” she noted, highlighting authors like Bushra Khalfan and Zahran Al-Qasimi, who have garnered significant Arab and international attention.

After winning the Arabic Literature Prize, awarded by the Jean-Luc Lagardère Foundation and the Arab World Institute (2024), for her novel “Nazlat Dar Al-Akaber,” many cultural observers considered what the novelist Amira Ghanem had achieved to be an important accomplishment for the Tunisian novel as a whole.

Dr. Ghanem expressed optimism about the richness of contemporary Arab literature, praising its stylistic diversity and thematic explorations of identity, belonging, and freedom. However, she noted the challenges in the Arab publishing industry, emphasizing the need for stronger support from cultural institutions to elevate Arab novels globally.

On the question of Arab novelists writing in other languages, Dr. Ghanem advocated for a broader definition of Arabic literature grounded in the Arabic language and cultural context. “We must agree on the concept of Arabism so that we can agree on the identity of Arabic literature. I say that Arabism is the Arabic language, nothing more and nothing less,” she said, acknowledging the complex dynamics of diaspora authors while emphasizing the enduring importance of Arabic literary traditions.


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